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FacesDirected.Not Corrected.
Editorial makeup for campaigns, covers, and once-in-a-lifetime moments. I work with what your face already knows.
"I don't correct faces. I direct them."
Beauty isn't a standard. It's a frequency. I tune the face to the story the image needs to tell — not the story someone else decided was acceptable.
"The camera doesn't lie. But I can make it dream."
Editorial work lives in the gap between real and possible. A cheekbone that catches light like a blade. A lid that holds an entire mood. The photograph remembers what the eye almost missed.
"Skin is the first canvas. The only rule is intention."
Avant-garde is not chaos — it's commitment. Every line placed with a reason. Every color chosen to disturb something comfortable. The face becomes the argument.
The Work
Speaks.
Noir Campaign
Gilded
Glass Skin
Violet Hour
Monochrome
"Redefines what editorial beauty can be."
"Every look is a complete visual argument."
"The most precise brush in New York."
"Skin that reads as sculpture."
You're not hiring
a makeup artist.
You're commissioning a collaborator. Tell me about the project — what it is, what it needs to feel like, what it has to become.